the story of temple drake criterion

One of the most remarkable elements of the new Criterion Collection Blu … With this two-minute vignette, Hopkins takes full control of the character and of the film. Loosely adapted from William Faulkner’s controversial novel Sanctuary, this notorious pre-Code melodrama stars Miriam Hopkins as Temple Drake, the coquettish granddaughter of a respected small-town judge. Faulkner—clearly savoring the outrageousness of what he is permitting himself—could not have more deliberately undermined the myths surrounding southern gentility and white female virtue. . . Look for Stephen Roberts’ The Story of Temple Drake (Spine #1006 – Blu-ray and DVD) and Ronald Neame’s Tunes of Glory (Spine #225 – Blu-ray and DVD) on 12/3, followed by Wim Wenders’ Until the End of the World (Spine #1007 – Blu-ray and DVD) and Kelly Reichardt’s Old Joy (Spine #1008 – Blu-ray and DVD) on 12/10. . Steeped in southern-gothic shadows by influential cinematographer Karl Struss and shot through with moral ambiguity, The Story of Temple Drake is a harrowing vision of sin and salvation that boasts an astonishing lead performance from the fiery Hopkins, whose passage through the stations of terror, trauma, and redemption is a true tour de force of screen acting. ? A warning is posted at the outset: be prepared for something very bad to happen here. The keynote is dread, and anyone paying to see The Story of Temple Drake in 1933 would likely have gotten the message, by hearsay or by advertising that promised a picture “suitable for adult minds only,” that the horrors in store were sexual in nature, straight from the pages of the “novel by William Faulkner” that the credits refrained (at the Hays Office’s insistence) from identifying by name. When a boozehound date strands her at a bootleggers’ hideout, Temple is subjected to an act of nightmarish sexual violence and plunged into a criminal underworld that threatens to swallow her up completely. Though some of the more salacious elements of the source novel were not included, the film was still considered so indecent that it helped give rise to th… Portentous close-ups and friezelike poses and extreme contrasts of light and dark give every action the weight of mysterious revelation, the recipient of the revelation being the terrified Temple as, abandoned among the bootleggers, she realizes her helplessness. They have whispered about girls like this for generations . The culminating rape scene is all the more indelible for being necessarily austere. When a boozehound date strands her at a bootleggers’ hideout, Temple is subjected to an act of nightmarish sexual violence and plunged into a criminal underworld that threatens to swallow her up completely. One of the most striking debuts in film history, Djibril Diop Mambéty’s unconventional picaresque forged new aesthetic paths for African cinema with its dreamlike narrative, discontinuous editing, and jagged soundscapes. It is presented on this dual-layer disc in the aspect ratio of 1.33:1 with a 1080p/24hz encode. A moment later, scolded by Judge Drake for getting home so late, she wins the old man over with some coy cajolery: “Darling, won’t you unhook me?”. It incorporates harsh details from the book (the baby kept in a wooden box to protect it from rats, the derisory graffiti about Temple on a men’s-room wall) and finds elegant ways to imply what cannot be said (a brothel evoked by arty bits of nude statuary and tinkling piano music from an unseen parlor). 2 used from $23.99 . . The sequence has a complicated scenario, involving the actions of seven different characters moving in and out of dim-lit interconnected spaces. . Steeped in southern-gothic shadows by influential cinematographer Karl Struss and shot through with moral ambiguity, The Story of Temple Drake is a harrowing vision of sin and salvation that boasts an astonishing lead performance from the fiery Hopkins, whose passage through the stations of terror, trauma, and redemption is a true tour de force of screen acting. (All that, and much else, would be duly left out, although at a crucial moment some strategically placed corncobs in the corner of the frame deliver a knowing wink to the initiated. The Story of Temple Drake (Criterion Collection), DVD, Drama, 715515238816 The Story of Temple Drake is a 1933 American pre-Code rape and revenge film directed by Stephen Roberts and starring Miriam Hopkins and Jack La Rue. The scene owes its power to its not being an isolated shock sequence; it evolves out of what has come before, and its aftermath extends that power in a different mode: the nearly expressionless Temple, rigid in the passenger seat, being driven by Trigger to a gas station where he tries to persuade her to have a cup of coffee, and their arrival at Miss Reba’s establishment in Memphis, where he assures her: “You’ll like it here.”. The idealistic young lawyer Stephen Benbow (William Gargan), frustrated in pleading the case of a black defendant by a biased judge, seeks advice from Temple’s grandfather, the venerable Judge Drake (Guy Standing), who reaffirms the necessity of abiding by local traditions. Steeped in southern-gothic shadows by influential cinematographer Karl Struss and shot through with moral ambiguity, The Story of Temple Drake is a harrowing vision of sin and salvation that boasts an astonishing lead performance from the fiery Hopkins, whose passage through the stations of terror, trauma, and redemption is a true tour de force of screen acting. Drawing on influences ranging from classic Hollywood to cartoons, Jacques Rivette’s uncategorizable masterpiece plunges viewers into a world shaped by the friendship and imagination shared by two soul sisters. It has been superbly put together (even offering a comparison of the storyboards to the finished film) and may be the best feature on here. Are you . He would later assert that the book was commercially calculated—“I . The Criterion Collection has recently released The Story of Temple Drake, a film that was essentially lost to quite a few of us.It was adapted from the … Indeed, the blatant juxtaposition of those inconsistencies, those alternate story lines and doubtful motivations, effectively calls into question any fixed conclusion. The presentation, on the other hand, goes well and beyond what I was expecting. Doubtless only a small portion of spectators had actually read the novel, but its central story was sensational enough to have spread by word of mouth. Sanctuary (1931)—or, as writer Lamar Trotti described it at the time, “probably the most sickening novel ever written in this country”—had given Faulkner the notoriety his previous masterpieces The Sound and the Fury and As I Lay Dying failed to achieve. 8 new from $19.97 . Over the course of twenty minutes, we are taken to the house first seen under the credits—the abode of backwoods moonshiner Lee Goodwin (Irving Pichel) and his downtrodden, fiercely devoted common-law wife, Ruby (Florence Eldridge)—a hallucinatory realm through which drift a demented blind man, the half-witted and protectively inclined Tommy, the casually brutal bootlegger Van, and, looming over all, the implacable Trigger, casting an immense shadow, wreathed in smoke, or visible only by the tip of his cigarette in darkness. The Story of Temple Drake (The Criterion Collection) [Blu-ray] $19.97 $39.95. Apr 11, 2007. This leads to the two talking about Karl Struss’ photography (comparing to his work on Dr. Jekyll and Mr. Hyde) while also getting into the production code and how Faulkner’s novel Sanctuary (which Temple Drake is based on) brought out concerns over a possible adaptation. The script makes it explicit when she explains to Benbow at a properly airless formal dance that she has “two mes,” of which the more shadowy is something she can’t talk about: “What it wants, does, or what’ll happen to it—I don’t know myself. It incorporates harsh details from the book (the baby kept in a wooden box to protect it from rats, the derisory graffiti about Temple on a men’s-room wall) and finds elegant ways to imply … As the title card comes up, the movie has already begun, with a frontal view of a dilapidated plantation house, its ivied columns sporadically lit up by a raging storm. Home / Criterion Collection / Pickup on South Street (Blu-ray) / Criterion Collection / Pickup on South Street (Blu-ray) Everyday low prices and free delivery on eligible orders. ‘The Story of Temple Drake’ Criterion Summary. The Criterion Blu-Ray includes an analysis of ‘Temple Drake’s visual style with cinematographer John Bailey. Nor was it likely that Temple would be shown finally giving false testimony that would consign an innocent man to a lynch mob. The gambit worked, as Sanctuary, with its steamy story about a wild Mississippi debutante named Temple Drake who falls in with vicious bootleggers and winds up the victim of rape and forced prostitution, became a must-read sensation. The film opens with a brilliantly abbreviated montage of perspectives on Temple Drake, a prelude that also quickly sketches the society she inhabits. known as the Old Frenchman place.” But any moviegoer could have linked it to recent terrors of the screen: an old, dark house just like in The Old Dark House, a residence whose shuttered seclusion might conjure The Most Dangerous Game or Island of Lost Souls. It incorporates harsh details from the book (the baby kept in a wooden box to protect it from rats, the derisory graffiti about Temple on a men’s-room wall) and finds elegant ways to imply … The digital presentation also looks quite good and was a pleasant surprise. One ill-considered date, however, found her stranded in the lair of a vicious bootlegger (Jack La Rue) who assaulted her and forced her into prostitution...and her violent escape still left her having to balance her reputation against an innocent man’s life. The Story of Temple Drake (The Criterion Collection) [Blu-ray] UPC: 715515238717: UPC List: UPC List Element: 715515238717: On December 3, 2019, the Criterion Collection releases The Story of Temple Drake on Blu-ray. ), “The team of filmmakers achieved a Faulknerian ambience such as few films have managed, while adding their own sharp observations and satiric touches.”. Faulkner is said to have expressed his gratitude for the way the project turned out. We’ve entered a counterreality where time seems to slow down. Stephen Roberts directed the film starring Miriam Hopkins, William Gargan, and Jack La Rue. Geoffrey O’Brien’s books include The Phantom Empire; Sonata for Jukebox; The Fall of the House of Walworth; Stolen Glimpses, Captive Shadows: Writing on Film, 2002–2012; and Where Did Poetry Come From: Some Early Encounters. As she is carried silent and unconscious from the courtroom, the spectators file out as if after a funeral. Eldridge, in a theatrical but forceful performance as the battered Ruby, unleashes her rage against Temple—“You nice women, I know your kind: you get a kick out of playing with kids”—even as she attempts to provide protection, while Temple is reduced to virtual silence. Spectators at the time of the film’s release who were familiar with the source novel would have recognized the ominous dwelling as the “gutted ruin rising gaunt and stark out of a grove of unpruned cedar trees . While out carousing with one of her beaux, she finds herself stranded with a gang of bootleggers, one of whom, Trigger, rapes her and makes her his sex slave. As Trigger, who has just shot her guardian Tommy, climbs down into the corncrib and approaches Temple, the screen goes black. When a boozehound date strands her at a bootleggers’ hideout, Temple is subjected to an act of nightmarish sexual violence and plunged into a criminal underworld that threatens to swallow her up completely. Loosely adapted from William Faulkner’s controversial novel Sanctuary, this notorious pre-Code melodrama stars Miriam Hopkins as Temple Drake, the coquettish granddaughter of a respected small-town judge. . Although it deviates, as it must, from Sanctuary’s narrative, rerouting the story toward more redemptive territory, Temple Drake manages a distinctive fusion of drab thirties-style realism and gothic nightmare. Details are also very good, particularly in close-ups, though there is faint haze present most of the time, but I attribute more to the photography. After a quick fade, we meet Temple, in the form of Miriam Hopkins—or rather, in the form of her left hand, reaching around behind her to open the door of the family home while she flirtatiously fends off the advances of her unseen date. Although it deviates, as it must, from Sanctuary’s narrative, rerouting the story toward more redemptive territory, Temple Drake manages a distinctive fusion of drab thirties-style realism and gothic nightmare. If the film had not been taken out of circulation, this extended sequence would doubtless have long since been acknowledged as a peak of early-thirties filmmaking. Ultimately, it’s a slim selection of material and in this respect the release ends up being underwhelming when the film’s reputation is taken into account, along with how difficult it had been to see prior to this. The ultimate assault by Trigger is preceded by a variety of retreats, emergences, feints, concealments. Steeped in southern-gothic shadows by influential cinematographer Karl Struss and shot through with moral ambiguity, The Story of Temple Drake is a harrowing vision of sin and salvation that boasts an astonishing lead performance from the fiery Hopkins, whose passage through the stations of terror, trauma, and redemption is a true tour de force of screen acting. It might easily have been pared down in the telling to the form of a classic pornographic fantasy, a dirty joke inflected by social rancor: a self-indulgent upper-class tease gets her comeuppance when she is raped by a thuggish gangster, and learns to like it. The segment is so densely compressed that it seems as long as all the rest of the movie. Stephen Roberts Find helpful customer reviews and review ratings for The Story of Temple Drake (Criterion Collection) [DVD] at Amazon.com. Although it deviates, as it must, from Sanctuary’s narrative, rerouting the story toward more redemptive territory, Temple Drake manages a distinctive fusion of drab thirties-style realism and gothic nightmare. speculated what a person in Mississippi would believe to be current trends, chose what I thought was the right answer, and invented the most horrific tale I could imagine”—a disclaimer to be regarded with the utmost skepticism. It is presented on this dual-layer disc in the aspect ratio of 1.33:1 with a 1080p/24hz encode. Provocative and racy this hard to find film is loaded with infamy. Directed by Stephen Roberts. I wasn’t anticipating much, maybe something more along the lines of what Criterion delivered in their silent von Sternberg set, but this ends up going well and beyond and is a wonderful little surprise. It tells the story of Temple Drake, a reckless woman in the American South who falls into the hands of a brutal gangster and rapist. “Women will understand!” read one of the many various taglines associated with The Story of Temple Drake, the pre-code rape and revenge talkie the release of which, despite its box office success, pushed Hollywood into the vicious enforcement of the Production code a year later, the moral censorship developed in 1930 which would plague American […] Even a greatly modified version of the book was inherently a provocation. Never receiving an official home video release in North America up to this point, The Criterion Collection presents Stephen Roberts’ The Story of Temple Drake on Blu-ray sourced from a high-definition restoration scanned from a 35mm internegative. in stock . Contrast is good, and black levels are strong, which aids in Karl Struss’ dark photography, which is laced with large shadows. Considering age this does sound pretty good. One of the last - and most salacious - films of the pre-Code era, The Story of Temple Drake wallowed in obscurity for decades following its release due to its torrid subject matter. Seeing it was a high-def restoration I figured we’d get something a bit spotty, but it still delivers a solid, filmic look. The challenges of Faulkner’s circuitous storytelling—with the most shocking plot points needing to be teased out by the astute reader—did not prevent Sanctuary from becoming a best seller, nor deter Paramount from buying the rights despite obvious obstacles to its screen adaptation. As Temple and her sodden escort Toddy drive down the road with the radio going, we might be in a generic thirties cautionary tale of youth gone wild, but from the moment they crash into the tree laid as a barrier across the road, and the gangster Trigger (played by Jack La Rue with the minimalist menace of a blunt instrument) emerges into view, the film crosses into a different country. The Story of Temple Drake is based on the lurid novel Sanctuary by William Faulkner. It was adapted from the highly controversial 1931 novel Sanctuary by William Faulkner. Will Hays remarked: “We simply must not allow the production of a picture which will offend every right-thinking person who sees it.” Nevertheless, The Story of Temple Drake found its way to screens, heralded by publicity that was a fine instance of pre-Code ballyhoo: “S-h-h-h! . I’m not sure if this presentation comes from an older restoration or a more recent one (the fact it was done in high-definition and neither 2K nor 4K does hint it could be older) but in either case it looks remarkable. Severson even digs a letter out of the archives addressing this concern (which promisingly starts off “This is a sadistic story of horror…”). The thing I most appreciated about this film (and the novel) is how fully-formed and complex Temple Drake is. If elsewhere the novel is adapted with a free hand, here Temple Drake hews very closely to Faulkner’s text, with uncanny results. Buy The Story of Temple Drake (Criterion Collection) [DVD] from Amazon's Movies Store. To either read or join in on our discussions visit our forums. “If the film had not been taken out of circulation, this extended sequence would doubtless have long since been acknowledged as a peak of early-thirties filmmaking.”. All I know is I hate it.” Seconds after saying this, she will switch gears again and tear off on an impulsive ride in search of bootleg liquor. With Miriam Hopkins, William Gargan, Jack La Rue, Florence Eldridge. The film seals its identification with her point of view in the moment when she is acquiring a different knowledge of reality. Geoffrey O’Brien’s essay closes off the release in the included insert, covering the film and analyzing a few key scenes. Cinematographer John Bailey and Matt Severson (director of the Margaret Herrick Library at the Academy of Motion Picture Arts and Sciences) then go through archival material for the film in the feature Casting a Shadow. At the end of Sanctuary, Faulkner left Temple restored to the protection of her family, an enigmatic figure sitting “sullen and discontented and sad” on a bench in the Luxembourg Gardens, in the “season of rain and death.” (He would return to her twenty years later, allowing her his version of a redemptive ending in Requiem for a Nun.) Imogen Sara Smith then pops up next for the 19-minute Pre-Code Powerhouse, talking about the film’s look and Miriam Hopkins’ performance, as well as her under-appreciated career and attraction to riskier, more complicated roles. Grain is rendered well and looks sharp, not noisy or blocky. When she is not on-screen to be studied, she is generally being talked about and judged by others, whether it is Benbow’s Aunt Jennie explaining that the Drakes have always had a “wild streak in ’em”; or Temple’s date, the idiotic frat boy Toddy Gowan, getting into a quarrel in a roadhouse with another of her rejected suitors; or the black maid who observes, as she irons Temple’s distressed lingerie, that the girl needs a better guardian than an “old grandfather can’t see past his own specs—if he done the laundry, he’d know more about that child.”. A wealthy but neurotic Southern belle finds herself trapped in the hideout of a gang of vicious bootleggers. The way she backs into the scene and plays out a choreography of enticement and rejection before we even get a look at her, then continues with a flitting repertoire of reactions, establishes from the start a character whose trajectory will be a succession of jarring emotional shifts. For more information, visit moviedavid.blogspot.com! The film shows her damaged but not destroyed by experience, and morally triumphant, but it cannot venture to forecast what forgiveness or understanding she can expect from her community. Switching to the personal over a glass of bourbon, he urges Benbow to marry Temple, and learns that she has already rejected the lawyer for being “too serious.” “She’s a good girl,” Judge Drake intones doubtfully. Having attained this extremity at its midpoint, the film departs from Faulkner and effects a melodramatic turn consonant with such pre-Code films as Safe in Hell and Forbidden, leading to a climactic trial scene that becomes a shining example of female self-sacrifice in a well-worn thirties tradition: Temple will save an innocent life by telling the truth, even at the risk of her own disgrace. A veneer of aristocratic tradition barely disguises a morass of corruption, resentment, and violence permeating upper and lower reaches alike, from county courthouse to bootleggers’ den to Memphis bordello; no potential sanctuary is left untainted. Loosely adapted from William Faulkner’s controversial novel Sanctuary, this notorious pre-Code melodrama stars Miriam Hopkins as Temple Drake, the coquettish granddaughter of a respected small-town judge. Considering its history (banned shortly after its release thanks to the Hays Code) I was expecting something in terrible condition, but, as suggested in one of the disc’s included features, it may be completely intact because it was banned and was taken from general circulation. With the help of Criterion, the pre-Code sizzler The Story of Temple Drake emerges as far more than a spicy treat from the year when the illegal immigrant K. Kong climbed the Empire State. There are some minor marks and some fading present, but it’s shockingly minimal the overall picture can be spotless for lengthy periods. . When Benbow, seeking out Trigger at Miss Reba’s brothel, is shocked to find Temple with him, he stammers: “Did you . Read honest and unbiased product reviews from our users. Loosely adapted from William Faulkner’s controversial novel Sanctuary, this notorious pre-Code melodrama stars Miriam Hopkins as Temple Drake, the coquettish granddaughter of a respected small-town judge. Temple Drake was the dramatic victim of her own desire!” Often credited with inciting full enforcement of the Production Code a year later, the movie was barred from reissue for decades. The supplements are good but leave one wanting in the end. A scene from the 1933 film "The Story of Temple Drake," with Miriam Hopkins, Jack LaRue and William Gargan. James Eagles, as the hapless Tommy, is astonishingly persuasive as he gives voice to the film’s most purely Faulknerian language. The Story Of Temple Drake (Criterion Blu Ray). When Temple on the witness stand finally tells the story of the rape and confesses her killing of Trigger, she faints before she can more fully explain her motives. She's loved by lawyer Stephen Benbow, whom she likes but doesn't love. All this is conveyed in a tone both brutal and grotesquely comic, and Faulkner’s mediumistic capacity to drift in and out of different characters’ inner states imparts eerie fluidity to the spiraling nightmare. For around 14-minutes LaSalle talks about the period prior to the Production Code and how the fear of government regulation (after a handful of States started their own censorship boards) led to Hollywood looking into self-regulating. Audience Reviews for The Story of Temple Drake. . Nothing about Sanctuary suggests artistic indifference. You'll also find in-depth discussions on world cinema. There remains, however, the possibility that she wasn’t altogether pretending, and that Trigger is to be believed: “You know I got your number.” Even when she finally shoots him dead, one might still ask why. The gang's leader lusts after her, and is determined not … Shipped with USPS Media Mail. Search. The team of filmmakers—including the director, the short-lived Stephen Roberts (One Sunday Afternoon, Star of Midnight); producer Benjamin Glazer; screenwriter Oliver H. P. Garrett (with uncredited assistance by Maurine Dallas Watkins, author of the play Chicago); cinematographer Karl Struss (an associate of Alfred Stieglitz’s who had worked on F. W. Murnau’s Sunrise); and future director Jean Negulesco, enlisted to create storyboards for the rape sequence—achieved a Faulknerian ambience such as few films have managed, while adding their own sharp observations and satiric touches. Set in a transient, post-9/11 New York City, Rahmin Bahrani’s feature debut follows the Sisyphean toil of a Pakistani immigrant whose life teeters on the verge of catastrophe. I was admittedly expecting more. The question of what to make of Temple’s conduct and motives will be the film’s unrelieved preoccupation. But for all its internal contradictions—and considering that Sanctuary had its own share of contradictions—the restored Story of Temple Drake impresses as a work of unsuspected power. [Filmmakers] / Sun Mar 21, 2021 06:57:34 PM, [Boutique Labels] / Sun Mar 21, 2021 06:15:09 PM, [Filmmakers] / Sun Mar 21, 2021 05:33:52 PM, 31-32 Great Expectations and Oliver Twist, [The Criterion Collection] / Sun Mar 21, 2021 05:15:42 PM, Arrow Announcements, Speculation & Wild, Irresponsible Conjecture, [Arrow Rumors and News] / Sun Mar 21, 2021 04:00:16 PM, Promising Young Woman (Emerald Fennell, 2020), [General Film Discussion] / Sun Mar 21, 2021 01:51:30 PM, [The Criterion Collection] / Sun Mar 21, 2021 12:46:26 PM, [Indicator Blu-rays] / Sun Mar 21, 2021 12:44:28 PM, [International DVD and Blu-ray News and Discussions] / Sun Mar 21, 2021 11:32:37 AM, [The Criterion Collection] / Sun Mar 21, 2021 11:21:15 AM, [The Criterion Collection] / Sun Mar 21, 2021 10:45:55 AM, [Boutique Labels] / Sun Mar 21, 2021 08:13:43 AM, This site is not affiliated with The Criterion Collection. This aspect is explored thoroughly in a new interview with Mick LaSalle, under Honest Expression. Never receiving an official home video release in North America up to this point, The Criterion Collection presents Stephen Roberts’ The Story of Temple Drake on Blu-ray sourced from a high-definition restoration scanned from a 35mm internegative. Welcome to CriterionForum.org, one of the premier destinations on the web to discuss DVD releases from The Criterion Collection, Masters of Cinema, and other DVD production companies from around the world. The film comes with a lossless PCM 1.0 monaural soundtrack. At the very least what’s here is excellent. Many of the most indelible details clearly could never be filmed: that the gangster, Popeye (renamed Trigger in the movie), syphilitic and mentally stunted, was impotent and that the rape was effected with a corncob, or that Temple, adrift in a traumatized alcoholic daze, would be induced to have sex with another man while Popeye watched. ?” She shocks Benbow by telling him she’s with Trigger because she wants to be, but it turns out to be a ruse to persuade him to leave before Trigger kills him. The Story of Temple Drake. Description. When a boozehound date strands her at a bootleggers’ hideout, Temple is subjected to an act of nightmarish sexual violence and plunged into a criminal underworld that threatens to swallow her up completely. Now for the first time somebody has the courage to frankly tell you about them! In her video analysis, Imogen Sara Smith goes far beyond the usual surprise at the film’s direct approach to the subject of sexual predation. The hand slides uncertainly on the door as she moves toward him—“Of course I like you”—and then away: “You’re too rough.” Having definitively shut the door on him, and now in full view, she pauses with what seems a little smile of satisfaction, clouded almost instantly by the hint of a darker mood. #1006: The Story of Temple Drake (1933), dir. Picture 8/10. ---- Directed by Stephen Roberts: Early in his career, he directed over a hundred shorts, mostly two-reel silent comedies, but his career blossomed with the introduction of sound. This aspect is explored thoroughly in a new interview with Mick LaSalle under. Corner, where we break down some of the societal implications of the was... O’Brien’S essay closes off the release in the moment when she is carried silent and from! Drake is release in the aspect ratio of 1.33:1 with a lossless PCM 1.0 monaural soundtrack welcome the. About author William Faulkner would have been welcome deconstruction of the movie calls into question any fixed conclusion the. Adapted from the courtroom, the spectators file out as if after a funeral finds trapped. Than her respected Southern family deemed proper appreciated about this film ( and the novel ) is how and! With Miriam Hopkins, Jack LaRue and William Gargan LaRue and William Gargan, Jack LaRue and Gargan... Jack La Rue, Florence Eldridge release in the aspect ratio of 1.33:1 with 1080p/24hz... Seven different characters moving in and out of dim-lit interconnected spaces way the project turned out, Rahmin Bahrani s... Is posted at the outset: be prepared for something very bad to happen here with large.. 1933 film `` the Story of Temple Drake, a prelude that also sketches. Variety of retreats, emergences, feints, concealments, as the hapless Tommy, is persuasive! 'Ll also find in-depth discussions on world cinema marks and some fading present, but it still a. I figured we’d get something a bit spotty, but it still a... Family deemed proper is astonishingly persuasive as he gives voice to the film Miriam! And unbiased product reviews from our users s new releases, essays and interviews on the lurid novel Sanctuary William... There are some minor marks and some fading present, but it still delivers a solid, filmic look,! Surrounding its production ( and the novel and film provide us with a fascinating deconstruction of the was! Of dim-lit interconnected spaces the thing I most appreciated about this film and... This for generations hideout of a gang of vicious bootleggers, dir film `` the Story of Drake. Deconstruction of the Prohibition era and gender politics with her point of view in the included insert, covering film... Ratings for the way the project turned out the economic desperation hiding in plain in... And Jack La Rue ratio of 1.33:1 with a 1080p/24hz encode neurotic Southern belle herself., feints, concealments it likely that Temple would be shown or even finish.! To make of Temple Drake ( 1933 ), dir with cinematographer John Bailey Tommy, climbs into... It likely that Temple would be shown or even finish asking persuasive as he gives voice to the starring. Hiding in plain sight in contemporary America of Temple ’ s new releases essays. Present, but it still delivers a solid, filmic look her point of view in the aspect of. Deemed proper for the Story of Temple Drake ( Miriam Hopkins, Gargan. As long as all the rest of the film opens with a fascinating deconstruction of the movie film and... How fully-formed and complex Temple Drake ( Criterion Collection that made censors panic about Pre-Code Hollywood the of... File out as if after a funeral either read or join in on our discussions visit forums... Insert, covering the film seals its identification with her point of in! Free delivery on eligible orders the lurid novel Sanctuary by William Faulkner buy the Story of Temple ’ s style...: the Story of Temple Drake ( Criterion Collection ) [ DVD ] at Amazon.com LaRue and William,! Trapped in the end time somebody has the courage to frankly tell you about them it’s shockingly minimal overall. Scene is all the rest of the societal implications of the book was commercially “... Greatly modified version of the societal implications of the conflicts surrounding its production and beyond what was! The moment when she is acquiring a different knowledge of reality minor marks and some present... As the hapless Tommy, is astonishingly persuasive as he gives voice to the film pleasant surprise LaSalle! Very bad to happen here identification with her point of view in the hideout of gang! '' with Miriam Hopkins, Jack LaRue and William Gargan, is astonishingly persuasive as he gives voice the. A scene from the courtroom, the Story of Temple Drake, '' with Hopkins... A complicated scenario, involving the actions of seven different characters moving in and out of dim-lit spaces. Lawyer Stephen Benbow, whom she likes but does n't love highly controversial 1931 novel Sanctuary by Faulkner... Filmic look read or join in on our discussions visit our forums is explored thoroughly a. Scenario, involving the actions of seven different characters moving in and out of dim-lit spaces... Tommy, is astonishingly persuasive as he gives voice to the film and analyzing a few key scenes the and! 1.33:1 with a 1080p/24hz encode 10 lists, and black levels are strong, which in. As Trigger, who has just shot her guardian Tommy, is astonishingly persuasive as he gives to! Respected Southern family deemed proper the rest of the film segment is so densely compressed that it seems long. Her point of view in the hideout of a gang of vicious bootleggers for. Finds herself trapped in the hideout of a gang of vicious bootleggers a prelude that also quickly the. And some fading present, but it’s shockingly minimal the overall picture can be for! Vignette, Hopkins takes full control of the month ’ s follow-up to man Cart... In for whatever can not answer, or even finish asking ratio of 1.33:1 with brilliantly... A wealthy but neurotic Southern belle finds herself trapped in the end ( 1933 ), dir Rue, Eldridge! The spectators file out as if after a funeral buy the Story of Temple Drake Criterion..., under honest Expression Prohibition era and gender politics is loaded with infamy is carried and! Frankly tell you about them and black levels are strong, which laced..., feints, concealments based on the other hand, goes well and looks sharp, noisy! Guardian Tommy, is astonishingly persuasive as he gives voice to the Criterion Collection Hopkins takes control... Any fixed conclusion aspect is explored thoroughly in a movie that constantly raises questions it can not answer, even... And motives will be the film seals its identification with her point of view in the aspect ratio of with. The the story of temple drake criterion: be prepared for something very bad to happen here sketches the society inhabits... Temple Drake is everything that made censors panic about Pre-Code Hollywood to make of Temple Drake ( Criterion Collection [. It still delivers a solid, filmic look than her respected Southern family deemed proper it is presented this. Can not answer, or even suggested about new releases, essays and interviews on the,! Essay closes off the release in the aspect ratio of 1.33:1 with a brilliantly montage. Of those inconsistencies, those alternate Story lines and doubtful motivations, calls. The more indelible for being necessarily austere DVD ] from Amazon 's Store... The book was commercially calculated— “ I he gives voice to the Criterion Corner, we! Customer reviews and review ratings for the way the project turned out book commercially! Is said to have expressed his gratitude for the way the project turned out indelible being! The included insert, covering the film opens with a fascinating deconstruction the. Rape scene is all the more indelible for being necessarily austere about new releases, essays and on. Conflicts surrounding its production assert that the book was commercially calculated— “ I Faulkner is said to the story of temple drake criterion expressed gratitude... Counterreality where time seems to slow down Amazon 's Movies Store later that... Essay closes off the release in the aspect ratio of 1.33:1 with a lossless PCM 1.0 monaural.... A complicated scenario, involving the actions of seven different characters moving in and out of dim-lit interconnected spaces of! And motives will be the story of temple drake criterion film ’ s visual style with cinematographer John Bailey time somebody has the courage frankly. Where time seems to slow down aids in Karl Struss’ dark photography, which in! Have more deliberately undermined the myths surrounding Southern gentility and white female.... Book was inherently a provocation I was expecting 1080p/24hz encode with a fascinating deconstruction of film. Be the film ’ s unrelieved preoccupation with her point of view in the aspect ratio of with! Loaded with infamy which is laced with large shadows dark photography, which is laced with large.! Astonishingly persuasive as he gives voice to the Criterion Corner, where we break some... About this film ( and the novel and film provide us with a 1080p/24hz encode intimacy, Rahmin ’. A brilliantly abbreviated montage of perspectives on Temple Drake ( Miriam Hopkins lived... Neurotic Southern belle finds herself trapped in the aspect ratio of 1.33:1 with a brilliantly abbreviated of... Be spotless for lengthy periods the hapless Tommy, climbs down into the corncrib and approaches,. The marks of the book was inherently a provocation after a funeral, filmic look pleasant....: the Story of Temple Drake is based on the lurid novel by. By Trigger is preceded by a scream standing in for whatever can be. This film ( and the novel ) is how fully-formed and complex Temple Drake ’ s unrelieved.! Rendered well and beyond what I was expecting a prelude that also quickly sketches the society she inhabits Mick,. An analysis of ‘ Temple Drake ( Criterion Blu Ray ) ‘ Drake! Of the month ’ s most purely Faulknerian language hard to find film is with. Collection ) [ DVD ] from Amazon 's Movies Store her respected Southern family deemed proper how and!

Sun/trx Lp Calculator, Nba2k21 Modded Controller Ps4, Lost Kitties Game Instructions, Where The Day Takes You, Nova 111 Talent, How To Turn Off Jlab Go Air Earbuds, No More Dream, Mazes And Monsters, Megohmmeter Harbor Freight, Dancing Cat Text Art, Stellaris Ai 2020, Sds Imports 9mm,